Download Border Cinema: Reimagining Identity through Aesthetics (Global Media and Race) - Monica Hanna | ePub
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Border Cinema: Reimagining Identity through Aesthetics (Global Media and Race)
Border Cinema – Reimagining Identity through Aesthetics Rutgers
Rebecca Sheehan - Department of Cinema and Television Arts
Border Cinema: Reimagining Identity through Aesthetics by
Global Media and Race Ser.: Border Cinema : Reimagining
Rebecca Sheehan - Department of Cinema and Television Arts CSUF
Monica D. Hanna - Chicana and Chicano Studies CSUF
Global Media and Race (4の本) Kindle版 - アマゾン
Cinematic Imagination of Border-Crossing in Hong Kong and the
Thresholds of Text and Identity in US-Mexico Border Literature
Dr. José B. Capino Department of Gender and Women Studies
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Full article: Conflating Imagination, Identity, and Affinity in the Social
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19 mar 2020 can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? taking up this crucial.
Sheehan is associate professor of cinema and television arts at she is the co-editor of border cinema: reimagining identity.
6 reimagining digital identity: a strategic imperative must know that the sources of credentials used to assert identity claims are valid and reliable, and that those claims themselves are verifiable. Individuals today use their digital identity in every aspect of life, with every service provider and authority with whom they interact.
Results 1 - 16 of 19 border cinema: reimagining identity through aesthetics (global media and race).
Border cinema: reimagining identity through aesthetics co-edited with monica hanna (rutgers university press, 2019).
Finally, i discuss two films which feature cross-border relations, in that of reimagining debates about national identity and self-determination (petrie 2004).
This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those propagated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
Results 1 - 11 of 11 border cinema: reimagining identity through aesthetics.
Opening borders, framing identities: the 'return to europe' in jan gogola's české from the fringe: reimagining balkan identities in the films of the 1990s.
Junot díaz and the decolonial imagination co-edited with jennifer harford vargas and josé david saldívar.
Mediating race, reimagining geopolitics proposes a series of lectures and film screenings featuring scholars and creators of cinema and media in order to investigate how moving image media contribute to formations of race, racism, and racialization from global perspectives.
Sheehan contributions by frederick luis aldama, josé capino, rosa-linda fregoso, nurith gertz, jennifer harford vargas, marina hassapopoulou, elena lahr-vivaz, yael munk, anita pinzi, anat zanger.
Border cinema, in the tradition of mexican national cinema, “reflects and creates the identity of recent latino immigrants into the united states, a group that is constantly transgressing established boundaries” (187).
In asia, an investigation of the ''re-imagining borders'' between malaysia and its adjacent nations by spaan, van naerssen, and kohl (2002) shows that the malay identity has been an underlying.
Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? taking up this crucial question for the emergent field of film philosophy, american avant-garde cinema's philosophy of the in-between argues that the films of the american avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions.
6 nov 2012 what is borderlands culture? globalization and borderlands culture.
Capino is a scholar of narrative and documentary cinema and media. His primary areas of interest are in colonial and decolonial visuality, transnational and transcultural media, melodrama, film historiography, and sexuality in the cinema.
Cover for joseph-gabriel: reimagining liberation: how black women transformed citizenship in the by shaping forms of citizenship that encouraged multiple cultural and racial identities.
Border cinema: reimagining identity through aesthetics, co-edited with monica hanna (rutgers university press, 2019) american avant-garde cinema's philosophy of the in-between, (oxford university press, 2020).
Mediating race, reimagining geopolitics host unit: department of visual studies, elizabeth wijaya, department of visual studies / cinema studies institute. A resurgent threat of ethnonationalism and state-centered border imperial.
Reimagining us colombianidades: transnational subjectivities, cultural expressions, and political contestations the borders of dominicanidad: in border cinema.
She is also the co-editor of border cinema: reimagining identity through aesthetics (rutgers university press, 2019), a collection of essays that considers border studies through the lens of media aesthetics. Her manuscript in progress, cinema’s laocoön: film, sculpture and the virtual, examines the interface between cinema and sculpture.
15 apr 2019 with contributions of: frederick luis aldama, josé capino, rosa-linda fregoso, nurith gertz, jennifer harford vargas, marina hassapopoulou,.
This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
As has been noted by film scholars, concerns about childhood and adolescence permeate recent cinematic history in mexico. There is certainly an abundance of evidence that children and adolescents feature prominently in mexican cinema as agents who mediate issues of cultural identity and difference and who operate more generally as sites of cultural angst played out in the public sphere.
This introduction situates the current volume in relation to canadian film studies the most important of these are those having to do with social identities, and this and editor/coeditor of numerous collections including reimagini.
Sheehan's interest in the capability of form to effectuate critical thought and action through media is also the premise for her book, border cinema: reimagining identity through aesthetics (rutgers university press, 2019), co-edited with monica hanna (chic), which examines how post-digital shifts in cinematic aesthetics have registered and intervened in a globalized understanding of the world and how such aesthetic shifts have helped shape evolving conceptions of national and individual.
Items 1 - 12 of 20 fictions from the borderlands reimagining identity through aesthetics border cinema resists contemporary border fortification processes,.
Border in chicano literature represents the location of chicano identity 'in the world': it reminded of the possibilities for imagining and reimagining art as it is performance texts, film and radio scripts, essays, person.
April 9, 2015 5:30 pm - 7:30 pm calendar download ical file presented by: uic latino cultural center.
Her book, american avant-garde cinema's philosophy of the in-between (oxford university press, 2020) examines the intersections between american avant-garde cinema and film-philosophy. She is also the co-editor of border cinema: reimagining identity through aesthetics (rutgers university press, 2019), a collection of essays that considers border studies through the lens of media aesthetics.
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